ofGrey / Fifty Shades Darker / Fifty Shades FreedFifty Shades of Red White and BlueThe Paper He then makes an outrageous proposal : give herself over to him completely for thirty days and discover her most secret fantasies and her true nature. Give in to absolute pleasure with Eden Bradley's romantic, liberating and utterly.

This article is clearly full of spoilers for both the Fifty Shades Freed book and movie. Please only jump in if you love spoilers or have already seen Christian and Ana get it on during the final movie in the franchise!Fifty Shades movies have been a staple for the past few years, but we're approaching the end of an era. Fifty Shades Freed, the third movie in a trilogy based on a set of books by James, has finally hit theaters, and has done so with higher stakes and certainly more car scenes than any of the previous movies. The book is a 500+ page monster, so it's no real surprise the movie has a lot to talk about. It's also no real surprise some changes were made to the source material to keep the movie under two you watch Fifty Shades Freed, fans of the books may notice a lot of the details in the movie have been changed to streamline the plot or soften the characters, etc. Some details have been added to the film, too. To bring you this list, I watched the flick on the big screen and have made notes of all of the biggest changes that I saw during the movie. Plenty of other details were changed in Fifty Shades Freed, of course, and feel free to comment on ones you may have found to be more noticeable. Without further ado, here are the biggest changes between Fifty Shades Freed's book and movie. Do not jump in if you want the film to be a surprise!We get to see Christian and Ana get married. We saw the wedding dress in early promos for Fifty Shades Freed but the movie goes a little further, showing us the couples' vows and their first dance, as well. Ana makes a big deal about not promising to obey in her vows in the books, so it was nice to see that play out on the big handcuff scene in the movie is way less intense. I wouldn't exactly call it "vanilla," as Christian and Ana are fond of joking, but the movie definitely doesn't show us that her wrists are totally torn up by the rough sex. He also doesn't leave hickies all over her of Christian being less overbearing, the scene at the beginning when Ana steals away on the jet ski is cut from the movie. In the books, Ana tries to take the jet ski without telling Christian and he freaks out. Eventually, she acquiesces and she returns to the boat on their are fewer sex scenes in the movie. In fact, some notable sex scenes are cut from the movie. We don't get to see Christian and Ana shave each other or have sex as part of the mile high club. Other details about the sex change, including when Christian fucks her with the handcuffs, their safe words starts as "popsicle," whereas in the movie it's always "red."Anna doesn't get a white Audi for her birthday in the movie. They sort of gloss over that part where she's super excited about a new ride, and the charm bracelet with the vanilla ice cream cone on it is introduced to the audience while Ana and Christian are on their honeymoon.*Ana's father doesn't end up at the hospital in the movie. *This also means the movie cut out that awkward conversation she has in the book with Jose's father about how he thought she was always going to date his son. This change makes a lot of sense as it keeps the story more topic of pregnancy is teased in the movie before we learn Ana is, in fact, pregnant. She makes Christian a steak dinner and jokes about getting pregnant, after which he seems displeased. They have a candid conversation about him not wanting a baby yet. Little did they know...There's a fun minor sideplot in the movie where Hannah flirts a little with Sawyer. If Ana's bodyguard has to hang around SIP, he might as well have some fun with her assistant in the movie, right?Leila doesn't visit Ana at the office in the movie. The fact that Christian has her gun is touched on, but since she doesn't visit we also don't get the scene where Christian fires Ana's female bodyguard in a fit of and Ana don't fight over a particular aspect of the house in the movie. In fact, the architect wants to tear the whole thing down and build a smart home while Ana would like to preserve the traditional feel of the older home. This scene is actually even funnier than in the book, as Ana gets in a dual dig about Gia's personality and her plans, noting she's going to be "less in-your-face, more respectful."*The Colorado trip features a few changes. *This includes a scene where everyone goes hiking without Christian and Elliot talks about how they used to fight going up. It's a convenient way to get the info about what Christian Grey was like as a child out. In addition, Elliot proposes to Kate in the club and not in a restaurant like the books. Mr. and Mrs. Bentley are nowhere to be seen, as get an ice cream scene in Fifty Shades Freed. Christian and Ana have sex on the kitchen table in the movie. She uses ice cream to get what she wants out of her husband before loudly knocking stuff off the table and going at it. In the books, they have a sex scene after going to the club, but it's more about wrestling than food. Afterward in the book, Christian opens up about Elena. There is an ice cream scene in a different Fifty Shades book.*Anna attends Jack Hyde's bail hearing in the movie. *After which, she totally vomits in the bathroom. She could have chalked it up to nerves, but she knows she's probably pregnant and sees the doctor. In the book, Hannah keeps shifting Ana's birth control appointment and Ana doesn't keep track of Ana goes to retrieve the money at the bank in the movie she doesn't have any trouble. This happens because Christian calls at the right moment. In the books, Ana is having some trouble securing the money because her license still says Anastasia Steele, a call back to their earlier fight about her is far more in the know with Mia's kidnapping in the movie. When Ana says she is taking the money, he immediately recognizes something is wrong, rather than assuming she's leaving him. He also immediately goes into action, looking into Mia's disappearance and calling the no sassy nurse at the hospital where Ana stays. After getting beaten up by Jack, Ana is hospitalized in both the book and the movie, but in the book there is a nurse around to scold Christian for getting into Ana's bed, and Christian visit his mother's grave at the end of the movie. Christian's childhood horrors are touched on in the movie, but he isn't as aggressive toward his birth mother in Fifty Shades Freed and he doesn't call her a "crack whore." The grave scene seems to be a nod that Christian Grey is finally Shades Freed is currently in theaters. What did you think of the movie? Head here to discuss all your wonderful thoughts. Your Daily Blend of Entertainment News

Every word is a safe one in “Fifty Shades Freed,” a Swarovski-dipped series closer that takes no chances, and spares no luxury expense, in giving Anastasia Steele and Christian Grey the dream wedding and nightmare honeymoon period their fans have been anticipating for years. Departing only incidentally from James’s trashy tome, and making up for any short cuts with extra set dressing, this is brochure cinema of the most profuse order, selling its audience more on a lifestyle than on any of the lives inside it. What began, however glossily, as an ambiguity-laced power struggle between two people from separate social and sexual worlds has devolved into a far less intriguing victory lap for an exquisite couple that wants, and can afford, most of the same things — at least until the pesky matter of baby-making gets in the way. Even as it administered a patchouli-scented dose of fan service to James’s hungry readership, 2016’s “Fifty Shades of Grey” was a brittle, brisk surprise, refashioning the book’s lilac prose into a warped romantic comedy of personal boundaries, with S&M as the bargaining currency between Anastasia and Christian — played by Dakota Johnson and Jamie Dornan with a wary, push-pull dynamic. When director Sam Taylor-Johnson and writer Kelly Marcel made way, respectively, for James Foley and James’s husband Niall Leonard for “Fifty Shades Darker,” the result unsurprisingly hewed closer to the author’s original gushing vision, with sexual politics that were less thorny and, for all the steam generated on screen, more conservatively patriarchal. Interesting as it would have been to see a third creative team take the finale up yet another tonal alley, Foley and Leonard unsurprisingly keep “Freed” bound to its source. With Mrs. Grey now mostly in her husband’s gilded grasp, the series’ former tart strain of battle-of-the-sexes comedy has bled almost entirely out of the enterprise, while even our heroine’s sporadic moments of defiance don’t stray far from a plush wish-fulfilment agenda. But oh, what pretty wishes! And what princely fulfilment! “Fifty Shades Freed” begins where most romances of its ilk would reasonably end with rich, dewy nuptials fit for a Vanity Fair spread. Quavering vows are exchanged against a wall of antique-blush roses; John Schwartzman’s camera gorges in crystalline close-up on every last silver cufflink and shred of Chantilly lace. Taking the film on its own material terms, there’s a perverse frisson of pleasure — of sweet, egregiously unequal justice — to be had in watching two people this immaculately beautiful finally unite in quite such accordingly beautiful fashion, and it’s here where James once more acting as producer and the filmmakers have us right where they want us. “You own this?” Anastasia asks, gawping at the private jet waiting to whisk them off on a Côte d’Azur honeymoon. “We own this,” her husband smirks in reply, as the film practically pauses for our applause, and maybe even a rosewater tear, at the shared privilege of it all. How far they’ve come. What this spectacle doesn’t leave us, however, is much road for this relationship to travel in the happy couple’s souped-up, product-placed Audi speedster. James’s trilogy may consume over 1,600 pages of type, but it’s hard to shake the feeling from an early point in “Fifty Shades Freed” the series’ shortest entry at a light, padded 105 minutes that perhaps there weren’t quite three films in it. As Anastasia and Christian argue back and forth with only minor variations over admittedly major points of contention — his possessive nature infringing on her charmed career, their disagreement over when to start a family, whether she should remove her bikini top on the beach or not — Leonard’s lumpen script zeroes in on a tinny thriller subplot, centered on the violent, mysteriously vengeful stalking of Anastasia’s smarmy ex-boss Hyde Eric Johnson as the main attraction. This is the terrain for which Foley, at his best a slinky genre stylist with a tobacco-acrid edge, was presumably brought on board, and he gives it a bit of vim A luxury-vehicle car chase, screeching and weaving at arrogant speed along the highways of Seattle, is a set piece that rattles in the mind longer and louder than the who and why of it all. He can’t do much, however, to juice up a thin, illogical abduction climax that at least gives an admittedly gagged dramatic function to pop star Rita Ora — little-used but zappily charismatic as Christian’s sister Mia, the only member of this marble-clad family you’d conceivably want to hang with for reasons other than sheer monetary osmosis. In a series so obsessively dazzled by its central couple that even actors like Marcia Gay Harden and Jennifer Ehle are reduced to subservient stick figures in their orbit, that’s an accomplishment. The trouble with this tunnel vision is that, by round three, there’s nothing left to discover in Anastasia and Christian — characters who, even at their most engaging, weren’t exactly Chekhovian to begin with. With the root of his sadism, her masochism and the mood music their combined issues make together all adequately explored, we’re left mostly rehashing old tensions that, with familiarity, have gone a little slack. Johnson, so wonderful in the first film, made a game fist of her character’s more capricious conception in the second. This time, her inherent likeability as a performer is all that’s keeping Anastasia, a notionally independent career woman who veers between seething assertiveness and spineless compliance at the script’s will, from sliding off the screen entirely. The extent of Christian’s development, meanwhile, is summed up by the film’s most inadvertently amusing line, delivered by yet another peripheral admirer in his employ “That GQ profile on you? I love what you’re doing in Africa.” Dornan even gets a chance to croon Paul McCartney’s “Maybe I’m Amazed” at the piano, just to prove just what an awakened heart beats beneath all that bespoke pewter-colored tailoring. And what of the sex? Perhaps the lone surprise of “Fifty Shades Freed” is just how incidental its erotica has become There’s no shortage here of lightly spiced bump and grind, staged and shot with salted-caramel smoothness, with nothing more than Johnson’s nipples or a fleeting brush of Dornan’s pubic hedge to prickle delicate sensibilities. But where the first film’s sex scenes, however tame in the grand scheme of things, were integral to setting the terms and tone of the relationship under scrutiny, by this point they’re mostly just very attractive digressions, while the once-tremulously mentioned Red Room of Pain has become merely another indulgent facility at Casa Grey, not to mention a handy spare bedroom in the event of a soon-resolved marital squabble. It’ll be a nursery before you know it. Indeed, a sex-free, PG-13 version of “Freed” could be cut without shedding a second of narrative coherence, such as it is; one could ask what the point of that would be, though similar queries might be leveled at the film as it stands. Intentionally or otherwise, however, perhaps there’s a rueful truth to the gradual dwindling of the films’ kink levels Sex is just a thing Anastasia and Christian do now, as it is for many a married couple until, in some cases, it eventually isn’t even that any more. Finally, the film closes with a fat French kiss to its fans a creamy montage of memorable moments from the whole series — mostly, let it be said, from the first two films — scored to a light remix of “Love Me Like You Do,” Ellie Goulding’s soaring pop belter from “Fifty Shades of Grey.” The new film’s theme, a comparatively generic number by Ora and Liam Payne, isn’t given quite such pride of place. If that highlight reel is fresher and more vivid than the agreeably silly cashmere diversion that precedes it, it’s hard to begrudge the happy, horny couple a pleasantly boring life together. Anti-capitalists can begrudge them everything else, but that’s another story. Is “Fifty Shades Freed” a wily takedown of married bliss, or at least an acknowledgement that it makes the wildest among us a shade less exciting? Almost certainly not, to go by the contented sighs and cheers that greeted the finale’s dreamily domestic flash-forward at its premiere. Still, it’s fun to imagine this ritzy, ultimately rule-abiding film being at least that provocative.

^{Nontononline Fifty Shades Freed 2018 Sub Indonesia. Fifty Shades Freed 2018 , adalah kali ini Christian dan Ana sudah resmi menikah. Bulan madu pun akhirnya mereka lakukan, namun disertai dengan banyak adegan seks kesukaan dari Christian.Rantai, cambuk dan alat bantu seks lainnya kini telah menjadi keseharian dari Ana dan ia pun semakin menikmatinya}

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FiftyShades Freed. Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.

Christianand Anastasia got married and now live in pleasure, enjoying each other's company. However, the life of the newly-fledged Mrs. Gray is in danger, as an enemy who is going to take revenge, is announced and using his rich imagination. The ghosts of Christian's past have returned, and the clouds over the spouses are gathering more and more.

Thethird and final installment of Fifty Shades of Grey as Told by Christian— the spinoff series of the original trilogy, which follows Ana and Christian's love story from the perspective of Mr. Feb. 8, 2018. Previously on "One Bruise at a Time" (a.k.a. the first two "Fifty Shades" outings ): Ana and Christian (Dakota Johnson and Jamie Dornan), our slap-and-tickle surrogates. ^{FiftyShades Freed (2018) iLK21 LayarKaca21Genre: Drama, RomanceYear: 2018 Duration: 106 Min. Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar}

FiftyShades Freed, the final installment in the Fifty Shades trilogy, makes its way to cinemas today.Alongside the movie, the official soundtrack has been released in full. Over the past few weeks, we were treated to three songs from the soundtrack: 'For You' by Rita Ora and Liam Payne, 'Capital Letters' by Hailee Steinfeld and

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